The Legend Who Outdid Panini

India has pioneered the human quest for wisdom since aeons. Its soil has given beginning to such nice intellectuals as “Maharshi Vyasa” who reorganized the Vedas and composed the undying epic of “Mahabharata” and the eighteen Puranas, a treasure of our cultural heritage, “Maharshi Patanjali” who gave the arena a singular device of “Yoga” via composing “Patanjala Yogasutra”, “Maharshi Panini” who reorganized the Sanskrit grammar via composing “Ashtadhyayi” and final however no longer the least “Maya” who gave the arena the sciences of “Structure” and “Astronomy” via composing “Mayamata” and “Suryasiddhanta” respectively, which have been most definitely the primary ever expositions of those topics. Unbelievable as it can be, within the first quarter of the final century, was once born a legend on this league best.

“Pt. Raja Ram Shastri” was once a flexible genius with quite a few nice achievements to his credit score together with probably the most exceptional analysis paintings on Sanskrit grammar which outdid “Maharshi Panini.” He was once a curator of people artwork, creator, linguist, astrologer, anthropologist and a very best researcher of Indian traditions all mixed into one.

Born on 27th Dec., 1918 in Tohana Distt., Haryana in an orthodox Brahmin circle of relatives, he grew to be a analysis pupil of no imply stature. His folks died in his infancy and was once introduced up via his grandparents. He confirmed indicators of an ordinary mind early on in lifestyles. With out ever devoting a lot time to research, he stood fourth within the state of Punjab in his matriculation tests. Then he went forward to finish his Shastri in part of the desired time.

After finishing his schooling, he become vulnerable against the sector of literature and all through time made an impressive contribution together with his works. All the way through his tenure as a dramatist in “All India Radio” from 1947 to 1957, he composed greater than 300 one-act performs which have been broadcast on AIR. “Dr. Hazari Prasad Dwivedi” has additionally said the contribution of Shri Shastriji in composing his Granthavali within the first quantity. However a correct acknowledgement has no longer been made. Whilst “Dr. Dwivedi” was once writing his Granthavali he regarded as the usage of some original subject matter wherein Shri Shastriji helped him via finishing the termite-eaten parts of a few unique handwritten manuscripts at the classical ideas of literature. This paintings by myself speaks volumes of his scholarship.

Amongst his a lot of literary works, seven collections of one-act performs in Hindi have been additionally printed together with “Sat Ladi Ka Har”, “Uljhan”, Damrunath” and “Devhuti.” He authored many novels like “Jhumman”, “Uljhe Tar” and many others. in Hindi at the side of the primary ever novel in Haryanvi language, “Jhadu Phiri” which was once later incorporated within the postgraduate syllabus of Kurukshetra College within the yr 2002.

Different of his writings come with a minimum of ten books on astrology and more than a few analysis works together with “Agroha” which offers with the historical past of Agrawal neighborhood of India.

Haryana and Haryanvi language have been of particular pastime to him. His contribution within the political, cultural, social and linguistic arenas of Haryana is unprecedented. The reason for Haryana remained intently related to him all through his lifestyles. Underneath this affiliation, he went on to ascertain “Haryana Lok Manch” within the yr 1963 which has been a pioneering establishment in its paintings on retaining, creating and researching the other sides of Haryanvi tradition and people artwork. The motto of “Haryana Lok Manch” is “Deshosti Hariyanakhyah Prithivyam Swargasannibhah” that means “Equivalent to heaven there’s a position on earth referred to as Haryana.”

Shastriji gathered treasures of people artwork on tape whilst wandering all through the agricultural Haryana. He later composed “Panipat Ki Teesri Ladaai” and printed it in 1972 which offers with the historical past of the 3rd Struggle of Panipat. The paintings was once firstly composed via “Nigahi” in 1761 A.D. as an eyewitness account of the combat as he himself mentions on this people epic of Haryanvi language. This has been proclaimed as a singular paintings on the earth of literature. This is a “Haryanvi Giti Kavya” (Haryanvi Epic Poem) and the entire paintings is an instance of “Aprastut Prashansa Alankar” which units it excluding all different works. For his exceptional services and products within the box of Haryana’s artwork, tradition and language he was once awarded the primary “Lakhmichand Puraskar” within the yr 1972.

Regardless of having many alternatives to move in a foreign country and paintings there he refused and selected to stay in India and paintings for the reason for Indian tradition and particularly that of Haryana. Cash was once no enchantment to him and was once quite a detraction. He was once a grasp in grievance and radicalist via nature. Most likely this is the reason he didn’t observe the overwhelmed monitor of items in whichever box he entered. Along with his ordinary analysis and choice of uncommon works in Haryanvi language, he went directly to turn out that Haryanvi isn’t an “Upbhasha”(semi-language) of Hindi or a “boli”(accessory) as is normally understood, however a well-developed language in itself with its historical past of written literature going again to the eighth century A.D.

Unique handwritten manuscripts on each palm leaves and paper shaped part of his lifetime assortment, which was once rarest of the uncommon. Those come with works on astrology, historical past, faith, yoga, Ayurveda and a bunch of alternative topics. He no longer best studied and researched on them but in addition made vital corrections anywhere required. One of the most valuable gem stones in his assortment is a piece via sindhi poet “Kazi Kadan” which accommodates 216 padas(stanzas) composed via him. Up to now, best seven padas (stanzas) of Kazi Kadan have been to be had which have been termed as “seven pearls of Sindhi literature.”

Linguistics was once the sector to which he added an absolutely new measurement via outdoing the mythical “Ashtadhyayi” of “Maharshi Panini.” This become the paintings of his crowning luck within the box of analysis. He evolved 54 phonetical differentiations of “a”, the primary letter of Hindi alphabet, as in opposition to the 18 firstly enunciated via “Maharshi Panini.” Now, “a” might be spoken and written with the assistance of particular indicators evolved via him in 54 other ways. Sadly, the particular pronunciation that he had evolved was once misplaced after his demise. This was once in part because of indifference of intelligentsia and loss of good enough exposure in his lifetime. The “magnum opus” of Shri Raja Ram Shastri nonetheless lies unpublished in two volumes beneath the identify of “Hindi Varnmala Ka Pratham Akshar “a” Evam Anya Varna”. This paintings of his was once given the stamp of approval via eminent students after extended debates and discussions on the “Lal Bahadur Shastri Rashtriya Sanskrit Vidyapeeth” (Deemed College) in Delhi. This paintings was once additionally referred to the “Nobel Prize Committee” within the yr 1992.

In his later years, he was once running on a nonetheless complex idea of his personal that those 54 varieties of “a” can additional be expanded into 378 if every of the 54 other “a” will also be mixed with the “Saptasuras”(the seven musical notes). His linguistic genius unfolded such an ordinary box of analysis that few may have dreamt of.

At the sixth of Nov., 2002, the Solar of Sanskrit Grammar set with the demise of Shri Shastriji on the ripe age of 84. He left at the back of a legacy of highbrow success, erudition and the standard which is born as soon as in ages. His lifestyles will stay a supply of inspiration for ages to come back.

Sonal Sharma

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